Elliott Gould
Sunday, January 3rd, 2010
Elliott Gould reached the apex of his film career in the 1970’s with notable roles in such classic films as MASH, Bob & Carol & Ted & Alice (which garnered him an Academy Award nomination), A Bridge Too Far, and The Long Goodbye. But it has been some his more recent work (following a very silent period of low budget rubbish) that has grabbed my attention. Specifically, I loved his role as Jack Geller (father of Ross and Monica) in the classic sitcom Friends. Read the rest of this entry »
It’s not enough to just meet one Fake Jan in a year’s time. After having previously met
I have just recently begun to explore the world of James Bond. Never having much interest before, I am know slowly working my way chronologically through the catalog. I haven’t come upon On Her Majesty’s Secret Service yet, but when I do, I will meet the only actor who only portrayed James Bond once in the Bond canon of films. Assuming this series will hold me in rapt attention, I took the opportunity to greet this actor George Lazenby when he appeared at the Burbank Hollywood Show on July 18, 2009.
I’m not much of a fan of the zombie-genre, but I know a classic cult flick when I see one. Night of the Living Dead is one such example. This was filmed in 1968 in black and white on a shoestring budget by newcomer film director George Romero. He would go on to direct a plethora of such films, some landing in the ballpark of success, others wallowing in left field. Among the better titles that he directed were Creepshow, Dawn of the Dead, Day of the Dead, and The Dark Half. He even has a cameo appearance as an FBI agent in The Silence of the Lambs.
Sally Kellerman is best known for her portrayal of Margarent “Hot Lips” Houlihan in the 1970 Robert Altman film version of MASH. She would even be nominated for an Oscar for this role. It is almost unthinkable that she actually declined to reprise the role when the TV show M*A*S*H was being cast. Instead she opted to continue with her film career, starring in several more of Altman’s films including Brewster McCloud, Welcome to LA, and The Player.